Conxita House ESCOLANO + STEEGMANN

2018-06-02 09:00
 © José Hevia.
(JoséHevia)。
架构师提供的文本描述。住在露台上。该项目是根据客户的主要愿望而设计的:一套面向外部的房子。然而,这种做法与其说是向露台开阔视野,不如说是为室内提供外部属性、城市屋顶景观的共鸣,经常受到挂在阳光下的衣服的侵袭。
Text description provided by the architects. Living on a terrace. The project is conceived according to the client's main desire: a house turned towards the exterior. The operation, however, is not so much to open the views to the terrace as in providing the interior with attributes of the exterior, resonances of the landscape of the roofs of the city, often invaded by clothes hanging in the sun.
 
 First Level Axonometric
一级轴测
这套公寓的东西方向表明,不要诉诸于与这两个门面相关的夜以继日区域的正统布局。相反,该计划是通过位于房屋对面的两间“可隔离”的房间来实现的,除了“客厅”(​​‘客厅“)的概念外,还有一条类似规模的公共空间链,从街道的正面延伸到内部庭院。与阁楼的空间统一性相反,房子的纵向轴被“分割”成一个与入口处相接触的​​公共职业区域,另一个靠近灯光露台的更私人的空间,在那里技术和存储空间都在积累。
The east-west orientation of the apartment suggests not resorting to an orthodox distribution with night and day zones associated with each of the two facades. Instead, the program is articulated through two 'segregable' rooms located on opposite sides of the house and, beyond the idea of ​​'living room', a chain of common spaces of similar magnitude that extends from the facade of the street to the inner courtyard. Against the spatial unity of the loft, the house is 'divided' by its longitudinal axis into an area of ​​public vocation, in contact with the entrance, and another of more private inclination, next to the patio of lights, where the technical and storage spaces are accumulated.
 © José Hevia.
(JoséHevia)。
 
 © José Hevia.
(JoséHevia)。
从这个意义上说,这个项目的顺序主要有两个方面:平坦的地形,其不同的层次解决了房屋与40厘米高的露台之间的关系,以及从街道前部到内院,从一栋房子到另一头,跨越房屋的实际轻型平面的“脱落”。这个项目的重要性很简单,定义了构成它的两个主要因素:构造中的木材-作为流动元素的定义,以及在城市大多数屋顶上习惯性的瓷砖,作为立体结构的定义-作为静态的定义。
The project is ordered, in this sense, from two main elements: a smooth topography, whose different levels solve the relationship of the house with a terrace at a 40cm difference height, and a 'shedding' of practicable light planes that crosses the house from end to end, from the front of the street to the inner courtyard. The materiality of the project is simple, defining the two main elements that make it up: wood for the tectonic - as a definition of the mobile elements, and ceramic tiles, habitual in most of the roofs of the city, for the stereotomy - as a definition of the static.
 © Roger Casas
(Roger Casas)
 © José Hevia.
(JoséHevia)。
这个程序不是固定的,但大部分是建议的。地形“引发”了不同的家庭生活场景。该项目是在一个机会领域内开展一系列或多或少稳定、定期或转瞬即逝的活动的过程。相反,滑动表面过滤器作为一种动态装置,将复杂性引入植物,允许建造各种形式的空间布置。房子是从戏剧的角度组织起来的,通过辩证法不同程度的横向关系在可能的家庭场景中,受到不同程度的隐私或相互排斥。
The program is not fixed, but mostly suggested. The topography 'gives rise' to the different scenes of domesticity. The project is revealed as the development of a series of more or less stable, periodic or fleeting activities in a territory of opportunities. In contrast, the sliding surface filter works as a dynamic device that introduces complexity into the plant, allowing the construction of various forms of spatial arrangement. The house is organized, from a theatrical point of view, through the dialectics of different degrees of transversal relationship between possible domestic scenes, subject to different degrees of privacy or mutual exclusion.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architect ESCOLANO + STEEGMANN
Location Barcelona, Spain
Architects in Charge Adrià Escolano, David Steegmann.
Area 84.0 m2
Project Year 2017
Photographer José Hevia., Roger Casas
Category Houses Interiors
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