Sunggwang Church Oh Jongsang

2017-03-16 20:00
 Courtesy of Oh Jongsang
吴宗生
架构师提供的文本描述。在大多数情况下,网站的第一印象决定了工作的主要方向。这是最重要的时刻,以决定什么部分的网站将被占领,以及采取什么样的姿态,将采取的城市。松王教堂的第一印象是一个大城市郊区混乱局面的典范。由于各种小型的商业设施和工厂,形状、材料和标志都很混乱。
Text description provided by the architects. Site In most cases, the first impression of the site decides the main direction of the work.  It is the most essential moment to decide what part of the site will be occupied, and what posture will be taken toward the city. The first impression of the site for Sunggwang Church was a model of the disordered aspect in the suburb of a large city. Because of all sorts of small commercial facilities and plants, the form, material, and sign were chaotic. 
 Courtesy of Oh Jongsang
吴宗生
该网站的建设是一个很长的形状,有点倾斜,这些冲突的两个概念,如‘阻塞和沟通’首先击中了我的头。不要被周围的噪音和混乱所淹没,应该有“沟通”来保持教会的本质。
The site for building was a long shape with a bit of slope.Such conflicting two concepts like ‘blocking and communication’ hit my head first. 'Blocking' not to be swept by surrounding noises and confusion, there should be 'communication' to keep the essence of church. 
 
首先,为了“封锁”,将建筑物长长地放置在面向城市的土地的正面,从而建立了隔离墙。栅栏的内侧变成了一个舒适的院子,同时也是一个停车位.(鼓掌)
First, for 'blocking', the barrier was established by placing the building lengthily on the front size of the land facing the city. The inner-side of the barrier becomes a cozy yard, and also a parking space.  
 Courtesy of Oh Jongsang
吴宗生
并且,"通信"在栅栏上形成了一个巨大的大门。大门是一个建筑设施,欢迎和邀请邻居。而不是一个普通的冷漠玻璃门,展示一个舒适的庭院的巨大大门将是更有效的沟通表达。
And, for 'communication', a huge gate was made on the barrier. The gate is an architectural installation to welcome and invite neighbors. Instead of a commonly-seen indifferent glass door, the huge gate showing a cozy yard will be a more active expression for communication.                             
 Courtesy of Oh Jongsang
吴宗生
形式和材料直屋顶线,柱子,和交叉塔是令人印象深刻的。它的目标是成为一个肌肉和健康的美貌,强健的体格,而不是危险和不安全的塑料美。
Form and Materials The straight roof line, pillars, and cross tower are impressive.  It aimed to be a muscular and healthy beauty with a strong physique , instead of a dangerous and insecure plastic beauty. 
 Courtesy of Oh Jongsang
吴宗生
简化了外露混凝土光洁度和红砖等材料,降低了生产工艺和成本。外露混凝土饰面的强烈而诚实的感觉与精心建造的砖块的精致性相协调。特别是通过直缝砌砖,抽象面比砖墙更受重视。
Simplifying materials as exposed concrete finish and red brick, the process and cost were reduced. The strong and honest feelings of exposed concrete finish were harmonized with the delicacy of bricks elaborately built up.  Specially, building up bricks through straight joint, the abstract face was more emphasized than the masonry wall.
 Courtesy of Oh Jongsang
吴宗生
教堂内采用暴露的混凝土饰面和红砖作为礼拜堂,提供了视觉上的统一。没有附加的室内装修,它充满了从砖块的缝隙和阳光从天花板倾泻进来的轻碎片。这是一个只有光装饰的光的空间。礼拜堂的地板有一个斜坡,有一种空间感,克服了一座单层建筑的极限。
Chapel Using the exposed concrete finish and red brick for chapel inside, the visual unity was provided. Without attaching additional interior finishing, it was filled with light fragments flowing in from gaps of bricks and the sunlight pouring from the ceiling. It is a space of light only decorated with light. The chapel floor had a slope for a sense of space overcoming the limit of a single-story building. 
 Floor Plan

                            
城市建筑不仅要为使用者发挥合理的作用,而且要对所在城市产生积极的影响。
For City Buildings should not only play rational roles for users, but also have positive effects on the city where they belong to. 
 Courtesy of Oh Jongsang
吴宗生
我希望这座教堂建筑被有效地用作礼拜和文化的空间。此外,我希望这个地方在白天被记为一堵温暖的红砖墙,城市的夜晚被夜晚从砖块缝隙发出的亮光装饰得很漂亮。
I hope that this church building is usefully used as a space for worship and culture. Moreover, I hope that this place is remembered as a warm red brick wall at daytime, and the night of the city is beautifully decorated with light coming from gaps of bricks at night.
 Courtesy of Oh Jongsang
吴宗生
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Oh Jongsang
Location 620 Wangsan-ri, Mohyeon-myeon, Cheoin-gu, Yongin-si, Gyeonggi-do, South Korea
Category Churches
Area 378.0 m2
Project Year 2016
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