Blessed Sacrament Chapel Pablo Millán

2017-03-03 03:00
 © Javier Callejas
.Javier Callejas
架构师提供的文本描述。想到一个注定要容纳圣殿的空间,就是想到圣殿内的一个非常特定的区域,圣塔圣殿,一个与上帝相遇的地方。如果我们分析这些空间是如何在整个建筑史上物化的,我们就会观察到几何的极端重要性和强烈的方向性。在这些房舍下,迭戈·德·西罗将为格拉纳达大教堂设计一座新的文艺复兴工厂,唯一的目的是成为一名威严的监护者,而后来,莱昂纳多·德菲格罗亚将对巴洛克圣路易斯·德洛斯朗切斯进行同样的改造。
Text description provided by the architects. To think of a space destined to house the Blessed Sacrament is to think of a very specific area within a temple, the Sancta Santorum, a place for the encounter with God. If we analyze how these spaces have materialized throughout the history of architecture, we observe a radical importance of geometry and strong directionality. Under these premises, Diego de Siloé will design a new renaissance plant for the cathedral of Granada with the sole objective of being an imposing custody or later Leonardo de Figueroa will do the same with the baroque San Luis de los Franceses.
 © Javier Callejas
.Javier Callejas
教堂在她对劳德斯的祈祷中重复了“本笃会”的歌。地球的运动,每一小时,在世界的某个角落,夜晚都在让位于清晰和爆发这种祈祷。同样的,正如福音者路加福音告诉我们(路1:78),当他得知他儿子的下一个出生时,赞颂施洗约翰之父撒迦利亚的口时,这一事实将改变他的生活,免除他因缺乏信心而哑口无言的债务。
Church repeats in her prayer of Laudes the song of the "Benedictus." The movement of the earth always makes, every hour, in some corner of the world, the night is giving way to clarity and outbreak this prayer. It is the same that, as Luke the Evangelist tells us (Lk 1:78), arose as the praise of the mouth of Zechariah, the father of John the Baptist, when he learned of the next birth of his son, a fact that would change his life, canceling the debt that had left him dumb for his lack of faith.
 
在这首歌中,几乎在最后,它说的是"借着我们神的温柔慈爱,从上方诞生的太阳将访问我们。",根据撒迦利亚的神学经历,来自上面,是上帝对他的人民的日常考验。这种事实的证据无疑是想创造一个空间,在这个空间中,只有上面的一个开口每天向教堂的教区居民展示上帝与他的人在一起的教堂。
In this song, almost at the end, it is said "by the tender mercy of our God, the sun that is born from above will visit us." The Light, according to the theological experience of Zechariah comes from above and is the daily test of God's goodness towards his people. Evidence of this truth has undoubtedly been the intention to make a space in which only an opening above shows daily to the parishioners of the chapel that God is with his people.
 © Javier Callejas
.Javier Callejas
这个小礼拜堂的建造是从邻近教堂引入光的需要开始的。因此,这个项目产生于一个单一的反射,创造了一个“光之盒”,具有双重含义,即是一个包含圣殿其余部分的光的盒子,也是一个将包含所有基督徒的光的地方:神圣的圣礼。寻找光,可能是任何建筑师最重要的任务,已成为潜藏在这个项目的容器空间,因为它的方向和天顶开放,能够在整个教堂引入清晰。因此,整个表面将是白色和干净的。按照同样的感觉,圣殿其余部分的地板将随着更大光度的目标而改变。
The construction of this small chapel starts from the need of the adjacent church to introduce light. Thus, the project arises from a single reflection, creating "a box for the Light", with the double meaning of being a box that contains light for the rest of the temple and of being a place that will contain the Light for all Christians: The Blessed Sacrament. The search for light, possibly the most important task of any architect, has become latent in this project by making a container space that, because of its orientation and zenith opening, is capable of introducing clarity throughout the church. Thus, the entire surface will be white and clean. Following this same sense, the floor of the rest of the temple will be changed with the objective of a greater luminosity.
 
寻找一个基本的空间,赤裸裸的,没有任何因素可以扭曲在圣礼拜堂的根本重要性,这导致我们选择一种方济各的建筑,清醒,干净的形式和装饰。在这些特性的空间中所寻求的精度将取决于严格的几何,激进,没有任何选择,可以作为色散的理由。因此,一个集中的空间将是一个被照亮和清洁的空间,在这个空间中,神圣的圣洁是中心,并且以一种近乎神秘主义的方式,光是它的证明。
The search for an essential space, naked, without any element that can distort the radically important in a sacramental chapel, has led us to opt for a Franciscan architecture, sober, clean of forms and adornment. The precision sought in a space of these characteristics will be determined by a strict geometry, radical, without any option that can be reason for dispersion. Thus, a concentrated space will be an illuminated and clean space, a space in which the Blessed Sacrament is the center, and in an almost theophanic way, light is proof of it.
 © Javier Callejas
.Javier Callejas
 
 
 
 
 
 
 
 
 
 
 
Architects Pablo Millán
Location Calle Martín de la Jara, 41, 41006 Sevilla, Spain
Category Religious Architecture
Project Year 2015
Photographs Javier Callejas

                    

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