St. Paulus Church KLUMPP + KLUMPP Architekten

2016-05-26 03:00
 © Zooey Braun
佐伊·布劳恩(Zooey Braun)
架构师提供的文本描述。位于一个非常小的南德城镇的中心,我们把创建一个新的乡村广场形式的城市中心作为一个挑战。我们的目标是发展宗教综合体作为一个整体,以形成一个平静的空间,包括新的教堂,教堂塔,社区中心和现有的教区。
Text description provided by the architects. Located in the middle of a very small South German town we took it as a challenge to create an urban yet homely centre in the form of a new village square. We aimed to develop the religious complex as a whole to form a calm space encompassing the new church, the church tower, the community centre and the existing rectory.
 © Zooey Braun
佐伊·布劳恩(Zooey Braun)
由于新楼(特别是正门)位于城市人行横轴的尽头,它与现有的环境紧密结合,完美地加强了城市规划。这样,发展不仅具有宗教意义,而且具有公众重要性。
As the new building (especially the main entrance) is situated at the end of the urban pedestrian axis of the town it is seamlessly integrated in the existing context and perfectly enhances urban planning. In this way the development is not only of religious but also public importance.
 Ground Plan

                            
新教堂建筑的位置在现有的教堂塔和教区,创造了繁忙的公共空间,以及对比安静的地区,有一个和平的气氛,而不是华而不实的。
The position of the new church building beside the existing church tower and the rectory creates busy public spaces as well as contrasting quiet areas which have a peaceful atmosphere without being showy.
 © Zooey Braun
佐伊·布劳恩(Zooey Braun)
立方体教堂建筑为新的教堂广场提供了一个矩形的末端,同时它也是一个开放的空间,四周都有一个半透明的地下室。地下室外墙的设计必须与教堂的拱门直接结合起来,教堂的顶部是垂直的橡木板。
The cubic church building provides a rectangular end to the new church square and at the same time it is an open space with a translucent basement on all sides. The design of the basement façade has to be seen in direct context with the campanile of the church, whose top is faced with vertical oak boards.
 © Zooey Braun
佐伊·布劳恩(Zooey Braun)
对我们来说,在建筑与当地历史和地理之间建立这种联系是非常重要的。
For us it is very important to create these sorts of connections between our buildings and the local history and geography.
 © Zooey Braun
佐伊·布劳恩(Zooey Braun)
这样,在新的建筑中,地域特征和特征被赋予了生命力,“今天”的新元素与“昨天”联系在一起。
In this way, regional characteristics and features are brought to life in new architecture and the new elements of a "today" are connected with a "yesterday".
地板到天花板的玻璃是用柔和的波浪图案丝网印刷的.这使得建筑的外部空间从远处看上去是开放的,但在神圣的地方仍然受到保护,不受来自外界的日常干扰。这是现代开放教会的理想表现。
The floor-to-ceiling glazing is screen-printed with a soft pattern of waves. This makes the external expanse of the building look open from a distance, but from within the sacred place is still protected from everyday disturbances from outside. This is the ideal expression of a modern, open church.
 © Zooey Braun
佐伊·布劳恩(Zooey Braun)
教堂的光和开放的内部空间包含了熟悉的神圣建筑元素,但在天花板的雕塑工作中提供了一种创造性的自由,这给房间带来了艺术和精神层面。当人们坐下来或触摸明亮的天然橡木座椅和配件时,也会感到温暖。
The light and open inner space of the church incorporates familiar elements of sacred architecture yet offers a creative freedom in the sculptural workings of the ceiling which brings an artistic and spiritual dimension to the room. People will find warmth too when they sit down on or touch the bright natural oak seating and fittings.
 Cross Section

                            
照明的多样性在白天和晚上提供了不同种类的照明,并与造物的多样性相呼应。
The diversity of lighting offers different kinds of lighting during the day and at night and echoes the diversity of creation.
 © Zooey Braun
佐伊·布劳恩(Zooey Braun)
然而,对我们来说,重要的是保持内部的和平和不炫耀,这样才能使重点继续放在信徒及其祈祷和活动上,并为他们提供一种与日常生活不同的和平气氛。空间的这种模糊性表明了各种可能的用途。
Nevertheless for us it was important to keep the interior peaceful and unostentatious so that the focus would remain on the churchgoers and their prayers and activities and provide them with a peaceful atmosphere set apart from their everyday lives. This ambiguity of the space points to a variety of possible uses.
 Longitudinal Section

                            
我们再次利用橡木桩的断续设计特点(参照现有的教堂塔)设计了祭坛上方的天窗,以强调教堂最神圣区域的意义。讲坛、祭坛和洗礼字体(由Sabine Straub设计)是与建筑师的地板设计(黑色混凝土)共生设计的,也有助于营造安静和低调的气氛。
We again used the staccato design feature of oak piles (referencing the existing church tower) for the design of the skylight above the altar area to emphasize the meaning of the most sacred area of the church. The pulpit, altar and baptismal font (by Sabine Straub) have been designed in symbiosis with the architects’ floor design (black concrete) and also contribute to the quiet and low- key atmosphere.
 © Zooey Braun
佐伊·布劳恩(Zooey Braun)
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects KLUMPP + KLUMPP Architekten
Location Frommern, 72336 Balingen, Germany
Category Churches
Architect in Charge KLUMPP + KLUMPP Architekten
Area 548.0 sqm
Project Year 2015

                    

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