Organic House Javier Senosiain

2019-01-09 08:00
 Cortesía de Javier Senosiain
Cortesía de Javier Senosiain
架构师提供的文本描述。这个项目的最初想法来自一个花生壳:两个宽的椭圆形空间,有很多光,在低沉和狭窄的黑暗中由一个空间结合在一起。这一提议是根据人的基本功能的要求提出的:一个可以共同生活的空间,有房间、餐厅和厨房,还有一个睡觉的空间,有更衣室和浴室。最初的概念是在两大空间中定义的:一天一夜,寻找人进入土地的感觉,即意识到这个空间的独特性,同时又不失去与外部绿地的整合。
Text description provided by the architects. The original idea of the project took its simile from a peanut shell: two wide oval spaces with lots of light, united by a space in low and narrow gloom. This proposal arose based on the requirements of the elementary functions of man: a space to live together, with room, dining room and kitchen and another to sleep, with dressing room and bathroom. The original concept is defined in two large spaces: one day and one night, looking for the feeling that inside the person will enter the land, that was aware of the uniqueness of this space without losing integration with the exterior green areas.
Text description provided by the architects. The original idea of the project took its simile from a peanut shell: two wide oval spaces with lots of light, united by a space in low and narrow gloom. This proposal arose based on the requirements of the elementary functions of man: a space to live together, with room, dining room and kitchen and another to sleep, with dressing room and bathroom. The original concept is defined in two large spaces: one day and one night, looking for the feeling that inside the person will enter the land, that was aware of the uniqueness of this space without losing integration with the exterior green areas.
 Cortesía de Javier Senosiain
Cortesía de Javier Senosiain
 Section 02
Section 02
 Cortesía de Javier Senosiain
Cortesía de Javier Senosiain
在施工过程中,必须实现与设计相同的连续性。为此,使用了一种可模塑的材料,允许在模型中使用类似于塑料的游戏。再加上这种可塑性的要求,很明显,在处理房子时,材料必须满足超出雕塑质量的要求。调查开始了,很快就没有疑问了:铁锅是正确的答案。水泥的组装开始于看上去像滑板轨道的模板上,形成了带有金属骨架的外壳,其中棒以环的形式排列,并根据空间的不同改变了高度。接下来,杆子被螺旋状打伤。在框架的末端,将两根编织在一起的钢丝绳固定在一起,然后抛出混凝土。然后在盖子上涂上3/4英寸的喷涂聚氨酯,作为绝缘体和防水材料。
In the construction process, it was necessary to achieve the same continuity as the design. For this, a moldable material was used that would allow a game similar to that of the plasticine in the models. Coupled with this requirement of plasticity, it was evident that when dealing with a house, the material had to fulfill requirements that took it beyond the sculptural mass. The investigation began and soon there was no doubt: the ferrocement was the right answer. The assembly of the ferrocement began on the template that looked like a skateboard track, forming the shell with a metallic skeleton, in which the rods were arranged in the form of rings, changing the height according to the space. Next, the rods were spirally wound. At the end of the frame, two ropes of coop braided together were fixed, and then the concrete was thrown. The cover was then coated with a 3/4 inch layer of sprayed polyurethane, which serves as an insulator and waterproofing.
In the construction process, it was necessary to achieve the same continuity as the design. For this, a moldable material was used that would allow a game similar to that of the plasticine in the models. Coupled with this requirement of plasticity, it was evident that when dealing with a house, the material had to fulfill requirements that took it beyond the sculptural mass. The investigation began and soon there was no doubt: the ferrocement was the right answer. The assembly of the ferrocement began on the template that looked like a skateboard track, forming the shell with a metallic skeleton, in which the rods were arranged in the form of rings, changing the height according to the space. Next, the rods were spirally wound. At the end of the frame, two ropes of coop braided together were fixed, and then the concrete was thrown. The cover was then coated with a 3/4 inch layer of sprayed polyurethane, which serves as an insulator and waterproofing.
 Cortesía de Javier Senosiain
Cortesía de Javier Senosiain
土和草保护薄膜不受太阳、风、冰雹和湿干循环的影响;避免膨胀和收缩,从而导致裂缝和湿度。绿色沙丘是几乎看不见的内部体积的信封。从外面我们只看到草,灌木,树木和花。走在花园里,就像走在房子的屋顶上,却没有意识到这一点。
The earth and the grass protect the membrane from the sun, the wind, the hail and the wet-dry cycle; avoiding dilatations and contractions that cause fissures and consequently humidity. The green dune is the envelope of the interior volume that is almost invisible. From the outside we only see grass, shrubs, trees and flowers. Walking on the garden is walking on the roof of the house without realizing it.
The earth and the grass protect the membrane from the sun, the wind, the hail and the wet-dry cycle; avoiding dilatations and contractions that cause fissures and consequently humidity. The green dune is the envelope of the interior volume that is almost invisible. From the outside we only see grass, shrubs, trees and flowers. Walking on the garden is walking on the roof of the house without realizing it.
 Cortesía de Javier Senosiain
Cortesía de Javier Senosiain
 
 Cortesía de Javier Senosiain
Cortesía de Javier Senosiain
与人们所想的相反,这座半埋的房子比传统的房子更明亮、更阳光。在这种类型的住房中,窗户可以指向任何方向,圆顶允许从上面进入光线和太阳。由于允许空气自由流通的住宅的空气动力学形式,通风得到了便利。
Contrary to what one might think, this semi-buried house was brighter and more sunny than a conventional house. In this type of housing the windows can be directed towards any orientation and the domes allow the entrance of light and sun from above. The ventilation is facilitated thanks to the aerodynamic forms of the dwelling that allow the free circulation of air.
Contrary to what one might think, this semi-buried house was brighter and more sunny than a conventional house. In this type of housing the windows can be directed towards any orientation and the domes allow the entrance of light and sun from above. The ventilation is facilitated thanks to the aerodynamic forms of the dwelling that allow the free circulation of air.
 Cortesía de Javier Senosiain
Cortesía de Javier Senosiain
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Javier Senosiain
Location Naucalpan de Juárez, Mexico
Design Javier Senosiain
Area 178.0 m2
Project Year 1984
Category Sustainability
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